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The Project

Growing up in Antigonish, Nova Scotia during the 1960s and 70s, brothers Peter and Chris Murphy became involved with the North American “back to the land” invasion of young urban hippie homesteaders and draft dodgers. Fueled by youthful energy, idealism, and the desire to live an independent rural lifestyle, the newcomers were attracted by Nova Scotia’s undeveloped countryside, abandoned farms, and affordable land. They came to every part of Nova Scotia, but many left after colliding with the realities of their choice and a few harsh winters. However, some adapted and still reside here, living successful and impactful lives, contributing in various ways to their local economies and communities.


But despite this, their fascinating generational story of rural migration remains untold.
Photographer and filmmaker Peter Murphy and his brother Chris, a retired Dalhousie sociology professor, decided it was time to document this missing chapter in Nova Scotia’s recent history. Starting in their local community, they began filming interviews with remaining back-to-the-landers scattered throughout the province. After fifty interviews, they felt they had enough material to tell the story of this 60s-inspired phenomenon in both text and film.


So finally, the long-promised book and videos will

soon be ready for public release. They are the

products of a five-year self-funded research project

that required us to drive hundreds of kilometers

of Nova Scotian backroads, arrange and document

many lengthy interviews, deal with Covid

complications, transcribe and edit hours of film

and text, negotiate unsuccessfully with publishers,

and finally decide to produce the book and videos

ourselves. It was a long journey, but we persevered

because we believe these interesting people and

their important story deserve to be heard.

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Dirk Van Loon founder of Rural Delivery Magazine, one of the more than 50 interesting people we interviewed for this project.

Brief BIOs

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Chris Murphy (PhD) I’m a retired sociologist who grew up in Antigonish in the 1960s and attended university there. I briefly went back to the land but found it easier to go back to university (University of Toronto) which led to a lengthy career as an academic at Dalhousie University. Over the years I remained in touch with Antigonish and my brother Peter. We often talked about doing a project together on the local back to the land community. So when I retired I jumped at the opportunity to collaboratively document in film and text the story of this interesting group of people. The people and stories we collected throughout the province were so compelling I decided they deserved an in-depth exploration in a book. To this end I took creative writing courses in the University of King’s College’s Masters of Creative Nonfiction program. The result is a book that is a creative and illustrated mix of local and social history, some “sociology lite”, a personal and collective memoir, and an unusual migration story.

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Peter Murphy (SeaBright Productions) I started out as a photographer, exhibiting my B&W photos of rural life in Nova Scotia and exhibiting my work in various galleries across Eastern Canada and at the National Film Board in Ottawa. As well, I experimented with historic photographic processes, including photogravure and wet plate collodion tintype photography. Eventually I formed my own independent video production company, SeaBright, and apart from numerous commissioned projects, I’ve made ten documentary films on Celtic music and culture which have been broadcast on CBC, Bravo TV, and the Knowledge Network. Together with Anna Syperek, we built our home and raised our family overlooking St. Georges Bay near Antigonish.

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Anna Syperek (Artist) After two years studying fine art at York University in Toronto in the late 60s, I met Peter Murphy, who persuaded me to move to his hometown in Nova Scotia and live in an old farmhouse, where I spent a lot of time painting and drawing. Those were wild and fascinating days and many of the sketches in the book were done at that time. Later, I finished my degree at NSCAD in print making, and a number of galleries throughout the Maritimes started representing me.. Drawing, painting, and etching have always been a way for me to make sense of the world. I see so intimately when I paint and have come to love the beauty of the ordinary world around me. In fact, I see how extra-ordinary it really is. annasyperek.ca

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